By late 1963, The Beatles—guitarists John Lennon and George Harrison; bassist Paul McCartney; and drummer Ringo Starr—were already a household name in the United Kingdom and much of Europe. More than 15 million viewers had tuned in to their performance on “Val Parnell’s Sunday Night at the London Palladium,” and the band was regularly playing sold out shows to legions of swooning teenage fans.
But while they had staked their claim on the top of the singles charts in England, The Beatles still struggled for recognition across the pond. Their first two U.S. singles—the jaunty “Please Please Me” and the catchy “From Me to You”—had flopped, and Capitol Records, the American arm of their label, EMI, appeared uninterested in promoting a foreign band.
The lads from Liverpool would finally catch a break in October 1963. While passing through London’s Heathrow airport, American television host Ed Sullivan noticed hundreds of excited teens waiting to see The Beatles return from a tour of Sweden. Sullivan had never heard of the shaggy-haired quartet, but after learning about their fanatical following, he felt they had the potential to be as big as Elvis Presley. A few weeks later, Sullivan booked the group to appear on his popular television program.
Armed with a gig on “The Ed Sullivan Show,” The Beatles finally gained traction in the United States. Capitol Records agreed to back their upcoming record, and CBS News anchor Walter Cronkite reported on the Beatlemania phenomenon in England.
In early December, a 15-year-old Maryland girl named Marsha Albert saw the group on the news and wrote her local radio station asking, “Why can’t we have music like that here in America?” When a DJ tracked down a copy of their still-unreleased single “I Want to Hold Your Hand,” the song became a massive hit. Capitol Records had to scramble to get the single onto record store shelves, and it went on to sell 1 million copies in a matter of days.
By all accounts, The Beatles still had no idea what was in store for them on February 7, 1964, when they took off from London bound for American shores. Lennon remembered thinking, “Oh, we won’t make it,” while Starr recalled feeling “a bit sick” with anticipation. But when they touched down in New York, the group found themselves greeted by a flock of 3,000 ecstatic, screaming fans—many of them teens playing hooky from school.
The band was stunned. “Seeing thousands of kids there to meet us made us realize just how popular we were there,” Harrison later said. In their first press conference, The Beatles appeared relaxed and upbeat. Clad in matching suits, the band fired back at the sea of reporters with cheeky quips that the New York Times later called the “Beatle wit.” “We have a message,” McCartney declared in between questions about the band’s name and their mop-top haircuts, “buy more Beatles records!”
From the airport, The Beatles were each tucked into their own limousine and whisked away to the Plaza Hotel in Manhattan. Safe from the rabid fans camped out on the streets below, they spent the evening chatting on-air with local radio DJ Murray the K while the brothers Albert and David Maysles—the same filmmakers who later chronicled The Rolling Stones in the 1970 film “Gimme Shelter”—rolled camera for a documentary.
