The mission of the SOE was to “set Europe ablaze” with guerilla sabotage and subversion tactics against the Nazi forces.
What 1940s spy craft lacked in technological sophistication, it made up in creativity. The BBC would insert coded messages into its nightly news radio broadcasts. Hall would file “news” stories with her editor in New York embedded with coded missives for her SOE bosses in London.
“In Lyon, Hall would put a potted geranium in her window when there was a pickup to be made,” says Pearson, who spoke to some of Hall’s aging compatriots in France. “And the pickup would be a message behind a loose brick in a particular wall, or it might be go to a certain cafe, and if there’s a message, the bartender would give you a glass with something stuck to the bottom of it.”
Hall became so notorious to Nazi leaders that the Gestapo dubbed her “the most dangerous of all Allied spies.” When Barbie and the Gestapo distributed wanted posters for the “limping lady,” Hall fled the country the only way she could, a grueling 50-mile trek over the Pyrenees mountains southward into Spain. Her Spanish guides first refused to take a woman, let alone an amputee, but she would not be deterred. The November weather was bitter cold and her prosthetic was agonizing.
At a safe house in the mountains, Hall radioed her superiors in London to report that she was OK, but that Cuthbert was giving her trouble. The deadly serious reply from SOE headquarters, which mistook Cuthbert for an informant, read, “If Cuthbert is giving you difficulty, have him eliminated.”
But Hall wasn’t done fighting Nazis. Since the British OES refused to send her back into France as a marked woman, Hall signed up with the U.S. Office of Strategic Service (OSS), a precursor to the CIA.