A few days earlier, officers from the county sheriff’s office had raided Spahn, confiscating stolen dune buggies and arresting some “Manson Family” cult members, though they were soon released on technicalities. Manson himself was away from the ranch and had avoided being taken into custody. But having spent much of his adult life in prison, the group leader wanted to explain to the others what he planned to do if he was ever put behind bars again.
“Charlie said that if he was in jail for a few days or even for years, he’d start acting like ‘Crazy Charlie,’ being strange and not making sense until (the authorities) got so frustrated with him that they’d let him go,” former Manson Family member Leslie Van Houten recalled in a 2013 interview while serving her life sentence in a California women’s prison. “But he told us we shouldn’t believe it, because it was just an act he’d put on as long as he had to.”
Six months later, Manson had to. And thanks to his skill as a performer—in particular, his instinctive understanding of when and how often to remind the world of his murderous nuttiness—Charles Manson held the world in fascinated thrall for more than four decades of high-security incarceration, right up to his death on November 18th. Though he was a prisoner, Manson orchestrated everything. And the world couldn’t help but ogle.
The attention started with the seven Tate-La Bianca murders on August 9th and 10th, 1969, as well as two ancillary slayings, one before and one afterward. Los Angeles was thrown into a city-wide panic. Constant media coverage of the horrific murders and a drawn-out search for the perpetrators mushroomed from mostly local to national, then global, coverage. In October, as Manson’s bedraggled band was arrested for unassociated crimes in Death Valley, and authorities began to connect the dots, Manson flipped the switch, as promised: He transformed from cunning cult leader into full-fledged Crazy Charlie.
He’d already had considerable practice. In previous prison stints, and in juvenile-delinquent facilities before that, the tiny (5 ft.-3 in.) Manson was often confronted by much larger inmates. Too small and weak to fight them off, he startled them instead with wild rantings and gyrations. This apparent insanity often unsettled the bullies enough for them to leave Manson alone.
“And even outside (prison) he would constantly put on an act,” said Phil Kaufman, a former inmate who met Manson in prison in the mid-1960s and later lived for a while with the Manson Family. “He’d pretend to be all kinds of different things, depending on the audience.” Gregg Jakobson, who knew Manson through their mutual friendship with Beach Boy drummer Dennis Wilson, remembered Manson bragging about his chameleon-like skills: “Charlie said it was easy for him to ‘change hats’ and instantly switch his personality to fit whatever situation he was in.”
Prior to his arrest and trial for the Tate-La Bianca slayings, Manson sometimes described himself as the Second Coming of Christ. Or he predicted that he and his followers would rule the world after Helter Skelter ended, with whites exterminated and blacks unable to fend for themselves due to intellectual deficiency.
His ultimate goal, ever since he first heard the Beatles on a prison radio, was to become the most famous musician on earth. One way or the other, Manson was determined to be important. He would have preferred legions of fans—or at least cult followers—but as long as it was widespread enough, virtually any form of notoriety would do.
Being the accused in a high profile, death-penalty-possible trial wasn’t Manson’s first choice, but he took full advantage of the stage. On the first day, he carved a bloody X between his eyebrows, and supporters passed out leaflets claiming he’d done so because he felt X’d out of society. The trial was the longest in U.S. history, giving Manson ample time to unleash Crazy Charlie on the breathlessly watching world. He leapt over a barrier to attack the judge, led followers in silly sing-alongs, and frequently broke into howling rants that resulted in his ejection from the courtroom. According to Leslie Van Houten, who, along with Susan Atkins and Patricia Krenwinkel, were Manson’s co-defendants, every gesture, grimace and shriek was planned in advance.