Then in 1978, a woman named Florence Owens Thompson wrote a letter to the editor of the Modesto Bee newspaper. She was the mother in the famous “Migrant Mother” photo, Thompson said—and she wanted to set the record straight.
In an Associated Press article that followed, titled “Woman Fighting Mad Over Famous Depression Photo,” Thompson told a reporter that she felt “exploited” by Lange’s portrait. As Geoffrey Dunn wrote in the San Luis Obispo New Times in 2002, Thompson and her children disputed other details in Lange’s account and sought to dispel the image of themselves as stereotypical Dust Bowl refugees.
Born in Oklahoma, Thompson was actually a full-blooded Native American; both her parents were Cherokee. In the mid-1920s, she and her first husband, Cleo Owens, moved to California, where they found mill and farm work. Cleo died of tuberculosis in 1931, and Florence was left to support six children by picking cotton and other crops.
When Bill Ganzel, a photographer for Nebraska Public Television, interviewed and photographed Thompson in 1979, she told him that while a young mother, she typically picked around 450-500 pounds of cotton a day, leaving home before daylight and coming home after dark. “We just existed,” she said. “We survived, let’s put it that way.”
When Lange found her in Nipomo that day in March 1936, she had two more children and was living with a man named Jim Hill, the father of her infant daughter Norma. After their car broke down on the way to find work picking lettuce, the family had been forced to pull off into the pea-pickers’ camp.
Two of Florence’s older sons were in town when the iconic picture was taken, getting the car’s radiator fixed. One of them, Troy Owens, flatly denied that his mother had sold their tires to buy food, as Lange had claimed. “I don’t believe Dorothea Lange was lying, I just think she had one story mixed up with another,” Troy told Dunn. “Or she was borrowing to fill in what she didn’t have."
Life After the Famous Photo