By: Sarah Pruitt

The Real Story Behind the ‘Migrant Mother’ in the Great Depression-Era Photo

Uncovering the woman behind Dorothea Lange’s famous Depression-era photograph.

Migrant Mother, photographed by Dorothea Lange

From the New York Public Library

Published: May 08, 2020

Last Updated: March 04, 2025

It’s one of the most iconic photos in American history. A woman in ragged clothing holds a baby as two more children huddle close, hiding their faces behind her shoulders. The mother squints into the distance, one hand lifted to her mouth and anxiety etched deep in the lines on her face.

From the moment it first appeared in the pages of a San Francisco newspaper in March 1936, the image known as “Migrant Mother” came to symbolize the hunger, poverty and hopelessness endured by so many Americans during the Great Depression. The photographer Dorothea Lange had taken the shot, along with a series of others, days earlier in a camp of migrant farm workers in Nipomo, California.

History Shorts: Dorothea Lange Documents America in Crisis

Dorothea Lange captured the reality of the Great Depression in the faces of those who struggled most.

Lange was working for the federal government’s Resettlement Administration—later the Farm Security Administration (FSA)—the New Deal-era agency created to help struggling farm workers. She and other FSA photographers would take nearly 80,000 photographs for the organization between 1935 to 1944, helping wake up many Americans to the desperate plight of thousands of people displaced from the drought-ravaged region known as the Dust Bowl.

How the Photo Was Taken

“I saw and approached the hungry and desperate mother as if drawn by a magnet,” Lange told Popular Photography magazine in 1960. She had spotted a sign for the migrant workers’ campsite driving north on Highway 101 through San Luis Obispo County, some 175 miles north of Los Angeles. Bad weather had destroyed the local pea crop, and the pickers were out of work, many of them on the brink of starvation.

Lange didn’t ask the woman’s name, or find out her history. She claimed the woman told her she was 32, that she and her children were living on frozen vegetables and birds the children had killed, and that she had just sold the tires from her car to buy food.

Soon after the photos were published in the San Francisco News, the U.S. government announced it was sending 20,000 pounds of food to the pea-pickers’ campsite. But by the time it arrived, the still-anonymous woman and her family had moved on. Even as her image was widely reprinted and reproduced on everything from magazine covers to postage stamps, the “Migrant Mother” herself appeared to have vanished.

The Real ‘Migrant Mother’

Migrant Mother, photographed by Dorothea Lange

Dorothea Lange’s famous "Migrant Mother" photograph.

From the New York Public Library

Migrant Mother, photographed by Dorothea Lange

Dorothea Lange’s famous "Migrant Mother" photograph.

From the New York Public Library

Then in 1978, a woman named Florence Owens Thompson wrote a letter to the editor of the Modesto Bee newspaper. She was the mother in the famous “Migrant Mother” photo, Thompson said—and she wanted to set the record straight.

In an Associated Press article that followed, titled “Woman Fighting Mad Over Famous Depression Photo,” Thompson told a reporter that she felt “exploited” by Lange’s portrait. As Geoffrey Dunn wrote in the San Luis Obispo New Times in 2002, Thompson and her children disputed other details in Lange’s account and sought to dispel the image of themselves as stereotypical Dust Bowl refugees.

Born in Oklahoma, Thompson was actually a full-blooded Native American; both her parents were Cherokee. In the mid-1920s, she and her first husband, Cleo Owens, moved to California, where they found mill and farm work. Cleo died of tuberculosis in 1931, and Florence was left to support six children by picking cotton and other crops.

When Bill Ganzel, a photographer for Nebraska Public Television, interviewed and photographed Thompson in 1979, she told him that while a young mother, she typically picked around 450-500 pounds of cotton a day, leaving home before daylight and coming home after dark. “We just existed,” she said. “We survived, let’s put it that way.”

When Lange found her in Nipomo that day in March 1936, she had two more children and was living with a man named Jim Hill, the father of her infant daughter Norma. After their car broke down on the way to find work picking lettuce, the family had been forced to pull off into the pea-pickers’ camp.

Two of Florence’s older sons were in town when the iconic picture was taken, getting the car’s radiator fixed. One of them, Troy Owens, flatly denied that his mother had sold their tires to buy food, as Lange had claimed. “I don’t believe Dorothea Lange was lying, I just think she had one story mixed up with another,” Troy told Dunn. “Or she was borrowing to fill in what she didn’t have."

Life After the Famous Photo

Migrant Mother with family

Florence Owens Thompson pictured with her children in Nipomo, California, 1936.

From The New York Public Library

Migrant Mother with family

Florence Owens Thompson pictured with her children in Nipomo, California, 1936.

From The New York Public Library

The family kept moving after Nipomo, following farm work from one place to another, and Florence would have three more children. After World War II, she settled in Modesto, California and married George Thompson, a hospital administrator.

By 1983, five years after claiming her identity as the “Migrant Mother,” Thompson was living alone in a trailer. She suffered from cancer and heart problems, and at one point her children had to solicit donations for her medical expenses. According to Dunn, thousands of letters poured in, along with more than $35,000 in contributions.

Florence Owens Thompson died in September 1983, just after her 80th birthday, ending a life marked by economic hardship, maternal sacrifice and human dignity.

Even President Ronald Reagan offered his condolences, writing that “Mrs. Thompson's passing represents the loss of an American who symbolizes strength and determination in the midst of the Great Depression.”

In the mid-1930s, the Farm Security Administration’s Resettlement Administration hired photographers to document the work done by the agency. Some of the most powerful images were captured by photographer Dorothea Lange. Lange took this photo in New Mexico in 1935, noting, “It was conditions of this sort which forced many farmers to abandon the area.”

Dorothea Lange/Farm Security Administration

Arthur Rothstein was one of the first photographers to join the Farm Security Administration. His most noteworthy contribution during his five years with FSA may have been this photograph, showing a (supposedly posed) farmer walking in the face of a dust storm with his sons in Oklahoma, 1936.

Arthur Rothstein/Farm Security Administration

Oklahoma dust bowl refugees reach San Fernando, California in their overloaded vehicle in this 1935 FSA photo by Lange.

Dorothea Lange/Farm Security Administration

Migrants from Texas, Oklahoma, Missouri, Arkansas and Mexico pick carrots on a California farm in 1937. A caption with Lange’s image reads, “We come from all states and we can’t make a dollar in this field noways. Working from seven in the morning until twelve noon, we earn an average of thirty-five cents.”

Dorothea Lange/Farm Security Administration

This Texas tenant farmer brought his family to Marysville, California in 1935. He shared his story with photographer Lange, saying, “1927 made $7000 in cotton. 1928 broke even. 1929 went in the hole. 1930 went in still deeper. 1931 lost everything. 1932 hit the road.”

Dorothea Lange/Farm Security Administration

A family of 22 set up camp alongside the highway in Bakersfield, California in 1935. The family told Lange they were without shelter, without water and were looking for work on cotton farms.

Dorothea Lange/Farm Security Administration

A pea picker’s makeshift home in Nipomo, California, 1936. Lange noted on the back of this photograph, “The condition of these people warrant resettlement camps for migrant agricultural workers.”

Dorothea Lange/Farm Security Administration

Among Dorothea Lange’s most iconic photos was of this woman in Nipomo, California in 1936. As a mother of seven at age 32, she worked as a pea picker to support her family.

Dorothea Lange/Farm Security Administration

The family who lived in this make-shift home, photographed in Coachella Valley, California in 1935, picked dates on a farm.

Dorothea Lange/Farm Security Administration

Californians derided the newcomers as “hillbillies,” “fruit tramps” and other names, but “Okie”—a term applied to migrants regardless of what state they came from—was the one that seemed to stick. The beginning of World War II would finally turn migrants’ fortunes as many headed to cities to work in factories as part of the war effort.

Dorothea Lange/Farm Security Administration

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About the author

Sarah Pruitt is a writer and editor based in seacoast New Hampshire. She has been a frequent contributor to History.com since 2005, and is the author of Breaking History: Vanished! (Lyons Press, 2017), which chronicles some of history's most famous disappearances.

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Citation Information

Article title
The Real Story Behind the ‘Migrant Mother’ in the Great Depression-Era Photo
Website Name
History
Date Accessed
March 21, 2025
Publisher
A&E Television Networks
Last Updated
March 04, 2025
Original Published Date
May 08, 2020

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