Ulysses S. Grant, who graduated from the U.S. Military Academy at West Point in 1843, didn’t go there because he dreamed of being a soldier. The future Civil War general and two-term U.S. president went because, as he later recalled, his father “said he thought I would, and I thought so too, if he did.”
The Ohio-born tanner’s son was initially so unenthusiastic about military life that he followed the Congressional debates over West Point’s future that took place during his first semester, in hopes that the Military Academy would close and he could return home without embarrassment. Despite his deep ambivalence, Grant’s experiences at West Point and as a young officer provided both formal and incidental preparation for his later career and gave him insights into future Civil War comrades and foes.
He found military training ‘wearisome’—but loved novels
While critics would later exaggerate Cadet Grant’s poor performance, he actually graduated in the middle of his class (21st of 39), had an aptitude for math and displayed an unequalled proficiency in horsemanship. Owing to conduct demerits and a dismal “standing in all the tactics,” he served his senior year as a lowly private. His only leadership position was the presidency of the cadet literary society.
Surviving drawings and paintings from Grant’s West Point years show early signs of what the Prussian military theorist Carl von Clausewitz called a “special gift” common to successful painters and generals alike: namely, a remarkable visual memory. After Grant studied a map, his staff officer Horace Porter recalled, “it seemed to become photographed indelibly upon his brain.”
In his memoirs, Grant makes no secret of his lack of engagement with military training and academics. He describes the former as “wearisome and uninteresting” while noting of the latter, “I rarely ever read over a lesson the second time during my entire cadetship.” Instead, he spent much of his time “devoted to novels, but not those of a trashy sort.” Plunging himself into the imagined worlds of Washington Irving, James Fenimore Cooper and other popular 19th- century authors, Grant learned, as his biographer Jean Edward Smith suggests, an “appreciation for linguistic precision.” Yet he did not absorb the romantic view of war common to period fiction. About war he was a hard realist.