Izzy’s lack of detective training proved to be something of a boon on his first assignment. In order to get a search warrant agents needed proof that alcohol was being sold on the premises. But to get this proof they had to gain access. A notorious speakeasy in Brooklyn had easily spotted any prohibition agents trying to enter. They were not prepared for Izzy, however. He walked up to the joint and banged on the door. A peephole slid open and a gruff voice asked who he was.
“Izzy Einstein,” he responded. “I want a drink.”
“Oh yeah? Who sent you here bud? What’s your business?”
“My boss sent me,” Izzy explained. “I’m a prohibition agent. I just got appointed.”
The door swung open and the doorman slapped him on the back. “That’s the best gag I’ve heard yet.” Once inside the bar, Izzy showed the crowd drinking there his federal badge, leading the bartender to exclaim, “it looks just like the real thing,” which of course it was.
Izzy’s only misstep during his first bust was drinking the whisky he ordered. Physical evidence was needed that a sale of alcohol had been made, and that evidence couldn’t be in an agent’s belly. When he announced himself as a federal agent, the bartender grabbed the bottle of whisky and fled out the back door.
To prevent any further evidence from disappearing, Izzy designed a small funnel to fit into the pencil pocket of his vest. It was connected by tube to a little bottle hidden in the vest’s lining. From then on Izzy would take a sip of the booze he bought, and when the bartender turned his back, would toss the rest of the drink into the funnel. He became so good at this, he boasted, that people standing right behind him did not suspect his sleight of hand. Once “drunk,” Izzy would then go to the restroom, cork the bottle, jot down the name of the bar and the time of sale on its side, and there was the evidence ready to be presented in court.
Being himself proved to be Izzy’s masterstroke. There were no less than 20 occasions when Izzy knocked on a speakeasy door, his federal agent badge pinned to his chest, and asked, “Would you like to sell a pint of whiskey to a deserving prohibition agent?” Everyone took him to be a comedian. On other occasions, it was his ability to look like an average guy on the street that gained him admission. Speakeasies would open their peepholes to see a fat, short man in dirty overalls mopping his forehead, or carrying a fishing rod, or a pitcher of milk.
Carrying something was, Izzy boasted, often the only trick he needed. A barrel of pickles was a favorite prop because, as he said, “Who’d ever think a fat man with pickles was an agent?”
But sometimes more ingenuity was needed, and with his friend Moe Smith, whom Izzy cajoled into giving up his job as a cigar salesman, Izzy dressed in a series of true-to-life disguises to gain access into speakeasies. “I went after the places that were supposed to be ungettable. And got them,” he wrote.
They drove a coal wagon through the Upper East Side, netting 16 bartenders in one hour. They sold fruit and vegetables in the Bronx and ice in Brooklyn in order to wheedle their way behind the locked doors of illegal bars. They carried thick legal books into booze-serving restaurants frequented by lawyers and dressed in white coats to gain access to a speakeasy frequented by doctors near Mount Sinai Hospital. On a cold winter night, Izzy stood in his shirt sleeves outside a speakeasy until his teeth were chattering. Moe then half-carried him in shouting, “give this man a drink!” The bartender poured out a shot and Moe booked him.
One time Izzy walked into a restaurant frequented by musicians with a trombone under his arm. He was asked to play a song and performed such a moving rendition of the Prohibition standard, “How Dry I Am,” that the bartender and waiters rushed to pour him a drink and he, thanking them, promptly arrested them. As one contemporary magazine put it, “A day with Izzy would make a chameleon blush for lack of variation.”